When Makhar Vaziev took over the Bolshoi last year, he declared that classical ballet was and will always remain the company’s lifeline. And so it was when the Bolshoi toured to Japan in June, where a program of classics — Giselle, Swan Lake and Flames of Paris — dominated over 12 days of performances at Tokyo Bunka Kaikan concert hall. In Giselle, when Evgenia Obraztsova runs, her body
by François Fargue The Paris dance season ended in July and started again in September in almost all-American mode. In July, we saw works by George Balanchine and Justin Peck at the Bastille, and a Forsythe evening at the Garnier, followed by New York City Ballet at Les étés de la danse festival housed at
by Laura Cappelle There is a special joy in seeing an upstart company or festival fulfill its promise, and St. Petersburg’s Dance Open has done just that. Last spring, it celebrated its 15th anniversary, rebounding from budget cuts to present a satisfyingly full program, geared toward recent creations. The Vienna Ballet returned, while Dresden’s Semperoper