By Kate Stashko On the September 2018 day that Wen Wei Wang arrived in Edmonton to start his position as artistic director of Ballet Edmonton it was … snowing. Although not typical weather for the northern Canadian city at that time of year, it was unnerving for Wang, who is more used to the rainy
by Tessa Perkins Deneault It sounds like something out of a dream: shadow one of the world’s preeminent choreographers as she travels the globe presenting new works and preparing remounts, all while joining her company as an understudy. As an apprentice with Crystal Pite’s Kidd Pivot, Renée Sigouin is living this dream. Sigouin met Pite