By Sanjoy Roy Like voters, audiences can be simultaneously essential, dissenting, and unfathomable. Take the sold-out mixed program by Nederlands Dans Theater at Sadler’s Wells, featuring one old and two new pieces. Everything looked great and was danced brilliantly (a sound reason for the company’s enduring popularity). What about the works? Audiences, fans, and critics
By Jeannette Andersen The spring season in Munich culminated mid-May with the biennial festival Dance 2023. More that 60 performances featuring German and international choreographers in over 25 productions, of which five were premieres, were presented over 11 days. In 2021, the festival was entirely digital due to COVID-19, but this year it spread all
By Victor Swoboda Agora de la danse gave Montreal a glimpse of dance’s fast-approaching future with Koros, a mixed bill featuring three group works presented in virtual reality: Allegro Barbaro by Hélène Blackburn, The Complex Simplicity of Love by Margie Gillis, and 6.58 Manifesto by Andrea Peña (who is showing at the Venice Biennale in