By François Fargue Benjamin Millepied may have prematurely thrown in the towel as the director of the Paris Opera Ballet, but for many Parisians he still retains the image of a good guy with the right intentions. Despite having gone back to the United States and his L.A. Dance Project, he can present a triple
By Gdalit Neuman When Ohad Naharin, artistic director and principal choreographer of Israel’s Batsheva Dance Company, instructs his dancers to “groove” during their morning Gaga class, he wants them to tune into their body’s distinct rhythm and follow the flow. Naharin invented Gaga as a means of training his dancers to become “available” to movement