By Kaija Pepper The biggest news this quarter was the world premiere of Crystal Pite’s Revisor, a co-creation with Jonathon Young from Electric Company Theatre. All four performances at the Vancouver Playhouse, in February, sold out months in advance, an unheard of success in the local dance world. Pite and Young have become a force
By Kaija Pepper Three well-established theatrical festivals dominate the dance landscape at the beginning of every year in Vancouver, starting with PuSh International Performing Arts in mid-January. Two popular shows at PuSh were the one-woman solo, Pour, at Scotiabank Dance Centre’s black-box studio-theatre, and the group spectacle, The Eternal Tides, at the Queen Elizabeth Theatre.