By Kaija Pepper On the February morning of Revisor’s avant-premiere — set for that evening at Banff Centre’s Eric Harvie Theatre high within Alberta’s Rocky Mountains — it’s minus 26 degrees centigrade when I leave my hotel room. The air grabs at my lungs, sucking moisture from my body, and I walk quickly over to
by Tessa Perkins Deneault It sounds like something out of a dream: shadow one of the world’s preeminent choreographers as she travels the globe presenting new works and preparing remounts, all while joining her company as an understudy. As an apprentice with Crystal Pite’s Kidd Pivot, Renée Sigouin is living this dream. Sigouin met Pite