by Philip Szporer You know you’ve “made it” in Quebec when you’re invited to be a guest on the entertaining Radio-Canada talk show, Tout le monde en parle. It’s Sunday mass for the masses, without the religion. More than a million viewers can’t be wrong. Last March, dancer-choreographer Guillaume Côté, one of Canada’s biggest ballet
The range of work included in this triple bill showcased not only Davida Monk’s depth as a narrative choreographer in Ashes for Beauty, but also her skill as a contemporary dancer in Helen Husak’s solo The Return and a duet, For Antigone, by Paras Terezakis. Based in Calgary, Monk has been performing and choreographing for
Beauty unfolded in a series of enveloping embraces between dancers Jonathan Jordan and Francesca Dugarte in Diane Coburn Bruning’s Journey (2003). The duet opened Chamber Dance Project’s New Works + program in June. A summer-only project-based company founded by Coburn Bruning in New York in 2000 and relocated to Washington, D.C., in 2014, CDP’s modus