By Naomi Mori Nothing can stop Saburo Teshigawara’s creative drive. Last year, he was appointed artistic director of Aichi Prefectural Art Theater, a major venue in Nagoya, in central Japan. Last summer, he choreographed Kaze no Matasaburo (Matasaburo of the Wind, based on a novel by Kenji Miyazawa) for young dancers in that district, and
By Michael Crabb In early September, while North American ballet companies were still adjusting to the extended closure of theatres, their German counterparts were retaking the stage. The constraints of public health directives meant limiting the number of dancers who could appear at any one time — no Kingdom of the Shades from La Bayadère