By Malcolm Tay Minutes before opening night of a special all-Choo-San Goh program on December 10, 2021, Singapore Dance Theatre made a major announcement: it would now be known as Singapore Ballet. To veteran spectators familiar with the company’s development, this was likely a welcome move that had been a long time coming. Discussions with
by Malcolm Tay As an independent dance artist in Singapore, Eng Kai Er found that ambiguous intentions and unstated assumptions often hampered the experience of collaborating with other dancer-choreographers. To cope with these obstacles and rein in her own nature to be bossy, Eng says, she came up with a framework for the creative process