By Holly Harris The Royal Winnipeg Ballet closed its season with one of the most popular contemporary works in its repertoire, Val Caniparoli’s A Cinderella Story, still swinging as hard as it did during the company’s world premiere in 2004. Set in the halcyon days of the 1950s, and based on a libretto by Sheryl
By Naomi Mori Japan has done quite well since the start of the COVD-19 pandemic, being one of the few countries that continued to have performances with audiences, except for two periods of shutdown due to a State of Emergency. In Tokyo, I have been able to see quite a few shows in 2020 and
by Michael Crabb After the long summer drought, the wave of often overlapping performances that engulf the Toronto dance scene each fall can be overwhelming. However, as the wave recedes, certain images and impressions remain memorably fixed. Some are very specific, others more the result of cumulative impact. Into the former category falls Bill Coleman’s