By Tin Gamboa What is the value of art? Who is it for? How can the arts be funded properly, and should it be when poverty is rampant? These urgent questions — as well as issues like large divides between social classes and extensive bureaucracy — frame the complicated needs of art-making in the Philippines.
By Kristen Lawson Betsy Wetzig has been interested in patterns of movement since she was very young. She began studying with Estelle Dennis in Baltimore at the age of 6, joining her dance company as their youngest member at 11, and creating her first choreography for them at 16. During this time, Dennis brought in
By Imogen Aujla Freelancers — self-employed individuals who are paid by the hour, day, or job — often juggle a combination of roles within a multifaceted portfolio career. According to recent estimates, artists across all art forms in North America are 3.6 times more likely to be self-employed than other workers, and 81 percent of