By Kristen Lawson Betsy Wetzig has been interested in patterns of movement since she was very young. She began studying with Estelle Dennis in Baltimore at the age of 6, joining her dance company as their youngest member at 11, and creating her first choreography for them at 16. During this time, Dennis brought in
By Imogen Aujla Freelancers — self-employed individuals who are paid by the hour, day, or job — often juggle a combination of roles within a multifaceted portfolio career. According to recent estimates, artists across all art forms in North America are 3.6 times more likely to be self-employed than other workers, and 81 percent of
By Rebecca Karpus While many factors have contributed to the success of Toronto’s 42-year-old Canadian Contemporary Dance Theatre, one of the youth company’s greatest advantages is its robust foundation in Limón modern dance technique. Its creator, José Limón, who immigrated to the United States from Mexico as a child, is considered one of the most