By Marcie Sillman Seattle’s dance scene has been sizzling. From world premieres that tackled topical subjects like immigration and the pandemic shutdown to a site-specific work created for the city’s historic monorail, artists and their presenters served up an array of intriguing new dances over the last few months. Olivier Wevers’ contemporary company Whim W’Him
by Gigi Berardi Small cafés, narrow streets, bicycles, baguettes, state support for education, music and dance — Europe seems to have it all, and North American dancers are moving there to join small ensembles, state-supported companies, circuses and cabarets. Just what are the advantages and the challenges of making the move? As Danielle Gould, currently