By Kaija Pepper The title of Jeanette Kotowich’s Kisiskâciwan comes from the Cree word for “swift-flowing river,” kisiskâciwanisîpiy, which became Saskatchewan — the prairie province where she grew up. In this choreographic memoir, Kotowich (now based in Vancouver) looks back to her childhood, evoking the gently rolling land’s geographical contours in a series of still
By Kaija Pepper In the pandemic’s first year, along with cities worldwide, Vancouver dance was in a holding pattern. As elsewhere, once the idea of a lockdown became customary practice, companies and individuals quickly moved online with friendly, often home-based digital dance designed to keep artists in contact with their audiences. By 2021, however, these