By Kaija Pepper The title of Jeanette Kotowich’s Kisiskâciwan comes from the Cree word for “swift-flowing river,” kisiskâciwanisîpiy, which became Saskatchewan — the prairie province where she grew up. In this choreographic memoir, Kotowich (now based in Vancouver) looks back to her childhood, evoking the gently rolling land’s geographical contours in a series of still
By Kaija Pepper Crystal Pite’s The Statement does exactly as the title says: it makes a statement. And it’s a big one, about conflict and boardroom politics, and about guilt in the lower ranks for not calling out the wheelers and dealers who put their dangerous spin on things. Given the current Russian invasion into
by Tessa Perkins Deneault As a dance artist of Cree, Métis and mixed European descent from Treaty 4 Territory in Saskatchewan, Jeanette Kotowich’s cultural heritage is a source of inspiration for her work. She explores identity through dance, telling stories of culture, land and Indigenous traditions. To her, dance is a language that can express