By François Fargue John Cranko’s 1967 Onegin, presented by Paris Opera Ballet at the Garnier in March, is one of the most romantic yet intriguing ballets. Based on the eponymous verse novel by Russian writer Pushkin, the story goes that the young yet world-weary and cynical rich Onegin rejects the love of naïve Tatiana, whom
by Gary Smith When Stuttgart Ballet gives a party, it’s a big one. Celebrating Vancouver-born Reid Anderson’s 20 seasons as artistic director involved a week of international guest artists joining stars of Stuttgart Ballet and students of the German company’s affiliated John Cranko School, along with more sparkle dust and cascading balloons than you could
by Gary Smith When Sue Jin Kang walks into the dance studio at Stuttgart Ballet there is a ripple of attention. The younger dancers stretch further, reach harder and find that special place within that allows them to be more than they already are. The more experienced principal stars of the company allow their eyes