By Ashley Killar When Australian Ballet revived John Cranko’s Romeo and Juliet at the end of last year, it looked fresh as paint, though it was 20 years since they had last danced the ballet. I saw the December 1 performance in Sydney — and the next morning realized that December 2 was the 60th
By Jeannette Andersen Munich’s Bayerisches Staatsballett recently offered a rare glimpse into some of the more practical details around putting a ballet on stage in a big opera house. Instead of their annual joint press conference with the opera at the theatre itself, they hosted a visit at the set building workshops located half-an-hour’s drive
By Gary Smith For Agnes Su, the 26-year-old Stuttgart Ballet principal, old hesitancies are finally gone. The sure knowledge she belongs where she stands has unleashed a remarkable stage presence that is captivating audiences and critics alike. “I didn’t really think of myself as a principal dancer until now,” Su says, sitting at trendy Plenum,