By Victor Swoboda Agora de la danse gave Montreal a glimpse of dance’s fast-approaching future with Koros, a mixed bill featuring three group works presented in virtual reality: Allegro Barbaro by Hélène Blackburn, The Complex Simplicity of Love by Margie Gillis, and 6.58 Manifesto by Andrea Peña (who is showing at the Venice Biennale in
By Victor Swoboda As part of the 20th anniversary of Festival Quartiers Danse, Malandain Ballet Biarritz staged Nocturnes at the Wilder Building’s Studio-Theatre. Intrigued by the darker side of Chopin’s music, company founder/choreographer Thierry Malandain moved his dancers along a narrow strip amid a pervasive gloom, an arrangement that, according to program notes, recalled medieval
By Rachel Silver Maddock Moving into an independent career is a big shift, and three of Canada’s high-profile dance companies — Ballet BC, Les Grands Ballets Canadiens de Montréal, and the National Ballet of Canada — offer artist-in-residence positions to support former dancers in transition. Though the role at the three companies varies, the overall