By Victor Swoboda Guillaume Côté knows Shakespeare’s Hamlet well. In 2012, he performed the title role in American choreographer Kevin O’Day’s two-hour Hamlet, staged by the National Ballet of Canada, where Côté is a principal dancer. Then he danced the title role in his own short Hamlet Redux, at the 2018 Festival des Arts de St-Sauveur,
By Veronica Posth Berlin had been dealing quite well with the COVID-19 pandemic — theatres that were closed during summer reopened in September, though with necessary restrictions regarding performances. Then, from the beginning of November, due to a quickly increasing number of infections, the lockdown started again, condemning theatres to close once more, for at