By François Fargue John Cranko’s 1967 Onegin, presented by Paris Opera Ballet at the Garnier in March, is one of the most romantic yet intriguing ballets. Based on the eponymous verse novel by Russian writer Pushkin, the story goes that the young yet world-weary and cynical rich Onegin rejects the love of naïve Tatiana, whom
by Maggie Foyer The Menil Collection in Houston was, in some ways, an unlikely setting for the premiere of Carolyn Carlson’s Black Over Red (My Dialogue with Rothko), but it also made perfect sense. Just a stone’s throw away is the Rothko Chapel where 14 of the painter’s later works hang, monumental in size, painted in