By Elaine Gaertner A musical composition can support the muscular energy of movement; guide the tempo, flow and dynamics of a dancer; accompany a narrative in a cinematic way; or float on top of visual imagery, allowing synergy to develop without design. All these approaches can result in works of dance that are eloquent and
By Kathleen Smith Here we are in August, and art hasn’t disappeared despite pandemic lockdown. But much has changed, including the rules of engagement. As normal cultural activity largely ceased mid-March, many artists went along with the pause, taking an overdue break from the constant motion required by professional dance practices today. Early spring seemed
The Venice Biennale tide lifts all cultural boats, including dance. This six-month-long culturefest attracts international crowds, generates debate, and connects many disciplines and nationalities. Starting her four-year term as the Biennale’s dance director, Montreal choreographer Marie Chouinard programmed 13 troupes, half from Montreal, in 30 shows, films and discussions over nine days at the end of June. The extremes