By Jeannette Andersen The spring season in Munich culminated mid-May with the biennial festival Dance 2023. More that 60 performances featuring German and international choreographers in over 25 productions, of which five were premieres, were presented over 11 days. In 2021, the festival was entirely digital due to COVID-19, but this year it spread all
By Victor Swoboda Agora de la danse gave Montreal a glimpse of dance’s fast-approaching future with Koros, a mixed bill featuring three group works presented in virtual reality: Allegro Barbaro by Hélène Blackburn, The Complex Simplicity of Love by Margie Gillis, and 6.58 Manifesto by Andrea Peña (who is showing at the Venice Biennale in
By Silvia Poletti The second Summer of COVID gave Italians the hope (or the illusion) of a return to a certain normality. After dark months bound to home TV or computer screens watching streaming events, at last, at the end of May, theatre doors cautiously opened to limited capacity audiences. By summer, which in Italy