By Robin J. Miller The good news first: Victoria’s 10-day Dance Days Festival in mid-January included some 70 free dance classes that were full to overflowing; the three short Rough Cuts shows of works in progress were well attended; and the two mainstage shows came close to selling out. The not-so-good, or maybe just confusing,
By Kathleen Smith Of necessity, the dancefilm genre exploded during the global pandemic, part of the great digital pivot for artists and dance companies. If the volume of production is astonishing after almost two years, the quality is still all over the place. Dance on film is hard to get right. Enter Jacob Jonas, a