By Gary Smith There sometimes comes a moment in a choreographer’s career where inspiration, imagination, and dramaturgy ally in a very special way. As an audience member, there are sometimes moments when movement becomes more than steps, more than storytelling, when something happens onstage that lifts you out of your theatre seat and into the
By Victor Swoboda With COVID masks and vaccination documents at the ready, spectators filed into downtown Montreal theatres for a busy fall dance season. In September at Usine C, Louise Lecavalier presented Stations, first seen last year in Europe. Like her earlier choreographies, So Blue and Battleground, Stations was a kinetic marvel. With extraordinary coordination, Lecavalier executed an infinite variety of quicksilver gestures.