By Sanjoy Roy Like voters, audiences can be simultaneously essential, dissenting, and unfathomable. Take the sold-out mixed program by Nederlands Dans Theater at Sadler’s Wells, featuring one old and two new pieces. Everything looked great and was danced brilliantly (a sound reason for the company’s enduring popularity). What about the works? Audiences, fans, and critics
By Silvia Poletti Bolzano Danza and Venice Biennale Danza — the two most important events of the Italian summer, with overlapping dates that make attending both a challenge — were branded this year around similar thought-provoking themes. Under Wayne McGregor’s direction for the second year, the title of this year’s Venice program was Boundary-less, while Bolzano
By Michael Crabb As the pandemic’s most recent quasi-lockdown ended and the provincial government began a phased return to “normal,” there was a welcome blossoming of live, in-person events. Friends and admirers of the late Patricia Beatty, co-founder of Toronto Dance Theatre, were finally able to gather for a celebration of her life and art.