By Michael Crabb Apart from the perennial issues of funding, one can only imagine the logistical challenges facing the organizers of an annual festival such as Toronto’s Fall For Dance North (FFDN) in the still unsettled wake of a disruptive global pandemic. Festivals are generally mapped out years in advance, often based on the international
The Havana-based Malpaso Dance Company gave an evocative performance of four distinct pieces at the National Arts Centre on January 19. This spectacular Ottawa debut of Cuba’s first independent dance company, established in 2012, stood out in its equal showcasing of male and female choreographers. The first piece, Indomitable Waltz (2016) by Alberta-born Aszure Barton,