By Michael Crabb Revolving stages, originally introduced to effect speedy scene changes, have been a popular mechanical device in the theatre for more than a century. It did not take long for directors to discover they could also be used to create a variety of visual illusions such as that of an actor seemingly walking
By Deborah Jones Stephanie Lake named Colossus well. Not only is it a work for vast forces, it has made an out-sized difference to the Australian choreographer’s life. After Colossus is seen in Canada — it’s in Montreal March 8-11 and Toronto March 22-26 — it will have touched down on four continents: Australia, Europe,