By Michael Crabb Apart from the perennial issues of funding, one can only imagine the logistical challenges facing the organizers of an annual festival such as Toronto’s Fall For Dance North (FFDN) in the still unsettled wake of a disruptive global pandemic. Festivals are generally mapped out years in advance, often based on the international
By Michael Crabb Revolving stages, originally introduced to effect speedy scene changes, have been a popular mechanical device in the theatre for more than a century. It did not take long for directors to discover they could also be used to create a variety of visual illusions such as that of an actor seemingly walking
By Philip Szporer The rapturous crowd at this past year’s Prix de la danse de Montréal listened when Ginelle Chagnon launched into her acceptance speech. The beloved figure had just received the Ethel Bruneau Prize, an award created expressly to put the spotlight on members of the dance community who work in the shadows. “Having been