By Silvia Poletti The second Summer of COVID gave Italians the hope (or the illusion) of a return to a certain normality. After dark months bound to home TV or computer screens watching streaming events, at last, at the end of May, theatre doors cautiously opened to limited capacity audiences. By summer, which in Italy
The Venice Biennale tide lifts all cultural boats, including dance. This six-month-long culturefest attracts international crowds, generates debate, and connects many disciplines and nationalities. Starting her four-year term as the Biennale’s dance director, Montreal choreographer Marie Chouinard programmed 13 troupes, half from Montreal, in 30 shows, films and discussions over nine days at the end of June. The extremes